![[1MS0AP SCENE WORK]](https://cdn2.scratch.mit.edu/get_image/project/986528452_480x360.png)
Somewhere in LA.. This is basically a mix of a bunch of ideas I had in mind, Mostly prioritizing special events such as vehicle encounters and such Ah, the Agency. This one I wanted to try a more tactical and upped version of them as I wanted to make them actually look like a threat. More vehicles, more armor, you get the deal. SCENE EXPLANATIONS #1 - TRAFFIC STOP I always thought of trying out a convoy interception, but decided to keep it to scenework. I liked this one because I actually got to show it off here, which is something I've yet to do. #2 - CORRIDORS A small skirmish in a base. I wanted to see how a MG nest would look in my eyes in a simple way, and honestly, it's pretty nice. This is also just a small flex on how powerful the Agency really is in whatever alternate universe they're in, even though they still drop like flies. #3 - AVIARY One of the scenes I made with Banshee this time. I've been meaning to use the helicopter for some time, and at the same time, the motion blur. This takes place on a train actually, how? I don't really know, maybe some sorta cargo train. There's also some special lil guys here, like the engineer I whipped up and the guys in the chopper. I actually got to making the engineer mask due to popularity. If you want any lore related fax, let me know
Humvee permission by @MILITARY_WOLF Helicopter by Gaster Kilroy and Banshee by Soap Some guns by Rosstik and Soap Mostly everything else by me
